J - 2. How were taishokoto companies doing in the beginning of 2000’s? What should they do from now on?
Many successful taishokoto companies have flourished and enriched all levels of their performance, equipments and needs. The support of expert guitar factories has remarkably improved their wares and products. They have developed （＃32.）ensemble models, added soprano taishokoto, alto, tenor and bass taishokoto productions. Some of the schools have built up teaching and enlarging system to meet the big demand. The decrease in child population has made many piano and electric organ instructors to change to the taishokoto instrument. These instructors have risen the level of taishokoto’s performances and have brought positive social appraisal. Simultaneously, the enjoyment and learning of curriculum lessons have developed appreciation and value of the taishokoto. Talented, well educated musicians have begun to arrange many popular songs for taishokoto usage. Many taishokoto instructor teams （＃13.）perform in ensembles expressively. These range of improvements have accelerated the expansion of the taishokoto market and its popularity. Performers foresee that the musical instrument will make great stride in its future.
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| ＃32. Soprano taishokoto | ＃32. Alto taishokoto |
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| ＃32. Tenor taishokoto | ＃32. Bass taishokoto |